{"id":2355,"date":"2014-09-08T10:34:49","date_gmt":"2014-09-08T08:34:49","guid":{"rendered":"http:\/\/xavier.borderie.net\/blog\/?p=2355"},"modified":"2014-09-19T10:38:13","modified_gmt":"2014-09-19T08:38:13","slug":"en-vrac-semaine-du-1er-septembre-2014","status":"publish","type":"post","link":"https:\/\/xavier.borderie.net\/blog\/2014\/09\/08\/en-vrac-semaine-du-1er-septembre-2014\/","title":{"rendered":"En vrac : semaine du 1er septembre 2014"},"content":{"rendered":"<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">Temps de lecture \/ Reading time\u00a0: <\/span> <span class=\"rt-time\"> 3<\/span> <span class=\"rt-label rt-postfix\">minutes.<\/span><\/span><p>Aper\u00e7us cette semaine :<\/p>\n<h3>Tropes Vs Women<\/h3>\n<p>Anita Sarkeesian est une critique m\u00e9dia et a initi\u00e9 une s\u00e9rie de vid\u00e9os, nomm\u00e9e \u00ab\u00a0Tropes Vs Women\u00a0\u00bb, sur sa cha\u00eene <a href=\"https:\/\/www.youtube.com\/user\/feministfrequency\">Feminist Frequency<\/a>. Un trope est une figure de style \u00ab\u00a0par laquelle un mot prend une signification autre que son sens propre\u00a0\u00bb. Dans le cadre qui nous int\u00e9resse, cela d\u00e9crit les conventions et dispositifs en place dans les cr\u00e9ations (litt\u00e9raires ou autres). Cette s\u00e9rie explore donc la mani\u00e8re dont les femmes sont repr\u00e9sent\u00e9es dans la culture populaire. Le <a href=\"http:\/\/tvtropes.org\/pmwiki\/pmwiki.php\/Webvideo\/FeministFrequency\">site TV Tropes<\/a> (pardon \ud83d\ude42 ) d\u00e9crit les points abord\u00e9s par ces vid\u00e9os.<\/p>\n<p>Sa r\u00e9cente s\u00e9rie \u00ab\u00a0TropesVsWomen in Video Games\u00a0\u00bb, aborde le sujet de jeux vid\u00e9o, extr\u00eamement sexiste (tout comme l&rsquo;informatique, h\u00e9las) : les personnages f\u00e9minins dans les jeux vid\u00e9os sont majoritairement secondaires, au mieux int\u00e9gr\u00e9es sous la forme de \u00ab\u00a0dame en d\u00e9tresse\u00a0\u00bb, au pire trait\u00e9es comme une pitance (parfois m\u00eame sexuelle) ou la victime de la violence masculine. Les personnages principaux, comme Lara Croft dans Tomb Raider, Chell dans Portal ou Faith dans Mirror&rsquo;s Edge, existent mais ne sont pas nombreux, comme le montre <a href=\"http:\/\/geekfeminism.wikia.com\/wiki\/List_of_Women_Characters_in_Video_Games\">cette liste<\/a>.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/playlist?list=PLn4ob_5_ttEaA_vc8F3fjzE62esf9yP61\">Regardez l&rsquo;ensemble des vid\u00e9os de la s\u00e9rie Tropes Vs Women in Video Games<\/a>. Certains\u00a0titres couvrent les tropes les plus courants :<\/p>\n<ul>\n<li><a href=\"http:\/\/tvtropes.org\/pmwiki\/pmwiki.php\/Main\/DamselInDistress\">Damsel in distress<\/a>\u00a0;<\/li>\n<li>Ms Male Character ou <a href=\"http:\/\/tvtropes.org\/pmwiki\/pmwiki.php\/Main\/DistaffCounterpart\">Distaff counterpart<\/a> (homologue f\u00e9minin) ;<\/li>\n<li>Background decoration, ou les personnages f\u00e9minin ne sont pas jouables, voire ne servent qu&rsquo;\u00e0 plaire visuellement au joueur masculin.<\/li>\n<\/ul>\n<p>Cette exploration est essentielle pour faire bouger les mani\u00e8res de penses &#8212; surtout que pr\u00e8s\u00a0de la moiti\u00e9 des jours de jeux vid\u00e9o sont des femmes : <a href=\"http:\/\/www.theesa.com\/facts\/pdfs\/ESA_EF_2014.pdf\">Chiffres de l&rsquo;Entertainment Software Association pour 2014<\/a>.<\/p>\n<p>Malheureusement, la journaliste re\u00e7ois <a href=\"http:\/\/www.businessinsider.com\/game-industry-critic-faces-rape-threats-2014-8\">depuis des menaces de mort<\/a>&#8230;<\/p>\n<p>C&rsquo;est symptomatique d&rsquo;une communaut\u00e9 \u00ab\u00a0geek\u00a0\u00bb qui finalement accepte peu la diff\u00e9rence, et <a href=\"http:\/\/ecrans.liberation.fr\/ecrans\/2014\/09\/15\/gamergate-la-planete-jeu-se-donne-un-genre_1101215\">qui ne pourra pas sortir grandie de cette affaire<\/a>.<\/p>\n<h3>Luc Besson fait un AskMeAnything sur Reddit<\/h3>\n<p>Pas forc\u00e9ment la tasse de th\u00e9 de tout le monde, mais ce quelques r\u00e9ponses restent int\u00e9ressantes.<\/p>\n<p>\u00c0 propos de la mort de L\u00e9on (la cam\u00e9ra qui tombe avant d&rsquo;arriver \u00e0 la porte) :<\/p>\n<blockquote><p>So the death of Leon is 72 frames per second, im holding the camera and i let myself fall on the floor. I broke my finger and the camera.<\/p><\/blockquote>\n<p>\u00c0 propos de Subway, \u00ab\u00a0What inspired you to use the modern (as per 1980s) setting?\u00a0\u00bb :<\/p>\n<blockquote><p>When i was 16, i was on the platform waiting for the train and one door was slightly opened. The inscription was \u00ab\u00a0forbidden to the public\u00a0\u00bb, so of course i pushed the door and went in. And i realized that 2\/3 of the subway is forbidden, it&rsquo;s gigantic. I spent all my nights discovering it, the roller, the florist, and the drummer are real characters who i have met.<\/p><\/blockquote>\n<p>\u00c0 propos de l&rsquo;\u00e9criture de L\u00e9on :<\/p>\n<blockquote><p>Regarding Leon, i had to wait 2 weeks to get an answer from a studio to know if they were going to make the fifth element or not. The wait was horrible. So i wrote Leon in 15 days and nights to stop me from thinking about the wait.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.reddit.com\/r\/IAmA\/comments\/2ety7z\/luc_besson_here_ama\/\">Le AMA complet<\/a>.<\/p>\n<h3 id=\"watch-headline-title\" class=\"yt\" style=\"color: #222222;\"><span id=\"eow-title\" class=\"watch-title long-title \" dir=\"ltr\" title=\"Moleman 2 - Demoscene - The Art of the Algorithms (2012)\">Moleman 2 &#8211; The Art of the Algorithms<\/span><\/h3>\n<p><span style=\"color: #141823;\">Un reportage d&rsquo;1h30 sur l&rsquo;art de la demoscene.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Moleman 2 - Demoscene - The Art of the Algorithms (2012)\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/iRkZcTg1JWU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Court extrait autour du cri de ralliement \u00ab\u00a0Amiga Rulez\u00a0\u00bb, ou la \u00ab\u00a0guerre\u00a0\u00bb Amiga vs. PC :<\/p>\n<p style=\"padding-left: 30px;\">The Amiga was a computer way ahead of it\u2019s time. It was an incredibly well built machine, very imaginative.<br \/>\nAnd for a lot of people, the PC hurt because they considered it a step back in many ways.\u00a0The Amiga wasn\u2019t a computer for the masses! That was the point, it was like the Harley-Davidson, it had an elegance to it.\u00a0And then the PC came along, the mass-market machine, plastic junk with interchangable parts.<br \/>\nBusinesswise, this was obviously a better model,\u00a0but the elegance of the Amiga created a really strict culture around it; people would kill for what the Amiga means for them.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aper\u00e7us cette semaine : Tropes Vs Women Anita Sarkeesian est une critique m\u00e9dia et a initi\u00e9 une s\u00e9rie de vid\u00e9os, nomm\u00e9e \u00ab\u00a0Tropes Vs Women\u00a0\u00bb, sur sa cha\u00eene Feminist Frequency. Un trope est une figure de style \u00ab\u00a0par laquelle un mot prend une signification autre que son sens propre\u00a0\u00bb. Dans le cadre qui nous int\u00e9resse, cela [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2355","post","type-post","status-publish","format-standard","hentry","category-liens"],"_links":{"self":[{"href":"https:\/\/xavier.borderie.net\/blog\/wp-json\/wp\/v2\/posts\/2355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xavier.borderie.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xavier.borderie.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xavier.borderie.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xavier.borderie.net\/blog\/wp-json\/wp\/v2\/comments?post=2355"}],"version-history":[{"count":0,"href":"https:\/\/xavier.borderie.net\/blog\/wp-json\/wp\/v2\/posts\/2355\/revisions"}],"wp:attachment":[{"href":"https:\/\/xavier.borderie.net\/blog\/wp-json\/wp\/v2\/media?parent=2355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xavier.borderie.net\/blog\/wp-json\/wp\/v2\/categories?post=2355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xavier.borderie.net\/blog\/wp-json\/wp\/v2\/tags?post=2355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}